I strive to create forms that feel inherently birthed by Mother Nature.

A fervent expression of awe, my work reflects my love and reverence for the wonders found in each unique niche of the natural world. 

I am pulled by the gravitational force nature casts on its surroundings and its innate intrigue. My experiences and curiosities in the outdoors led to my appreciation and continuance of my engagement with Earth. Clay acting as a medium, tethers my palms and allows me to hone my sentiment to its fullest expression. 

I am moved by the macro and micro aspects of our environment, from formations of precious gems and minerals protruding from solid bedrock, the surface of dried cracked earth as it gasps for moisture, to a moment of color hidden within a patch of moss growing beneath a rusty pipe.

My explorations in the studio are translations of my thoughts and experience shaped into the tangible: the visceral seeking embodiment in the depth of porcelain, the chroma of glazes, and the fire within the kiln. My art is a love note to the extraordinary interconnectivity and intelligence of our natural world, and clay is my catalyst, my pen and paper.  

My work embodies the harmony between myself and the clay for us both to find space to thrive. Each piece evokes the viewer toward their own essential nature, just as creating them does for me. Guided by my feelings of kinship with the cosmos, I choose to father my love notes and share them with the world.

Artist Statement


Born in Annapolis, Maryland in 1997, Riley Walzer developed an interest in ceramics early on, at the young age of 15. His enthusiasm deepened to a passion during his time at Skidmore College, where, in 2015, he realized the full potential of clay and began to explore its vast possibilities. Under the mentorship of Matt Wilt, Riley honed his fundamental techniques through raw experimentation and began to find his artistic voice.

After graduating with a Bachelor of Science in Studio Arts in 2019, Riley continued to advance his skills under the tutelage of John Mosler, a sculptor associated with renowned ceramic artist Toshiko Takaezu. This apprenticeship allowed him to further his knowledge of surface and form. Upon its completion in 2021, Riley committed himself to a practice inspired by the natural world. The notion of a stone, that has been twisted and carved by the elements, may take the form of a vessel. The rippling textures from the depths of a riverbed are lifted and given dimension.


Now based in Brooklyn, Riley continues to push the boundaries of his work, integrating his recent educational experiences with a creative vision centered around harmony, authenticity, and connection.

Bio